Phillip Phillips Crowned the new “American Idol” Season 11

Phillip Phillips Crowned the new "American Idol" Season 11Yet again, a bluesy Georgia guitar man, was crowned the new “American Idol” after defeating teenager Jessica Sanchez in record viewer voting. He was the fifth male “Idol” winner in a row.

Phillips, 21, a pawn shop worker from Leesburg, Ga., looked stunned when host Ryan Seacrest announced his name, then wordlessly accepted a hug from Sanchez and congratulations from his fellow finalists.
He dissolved into tears as he sang “Home,” the song that may be his first single.

Phillips retained his humble, self-effacing demeanor to the end, and beyond.
“I have no idea why I won, man,” he said in his backstage dressing room. “I guess some people liked the music that I was doing. I’m just lucky. … I was just doing my thing each week.”

He received the winning share of the record-high 132 million votes cast after Tuesday’s final showdown with high school student Sanchez, 16, of Chula Vista, Calif. The vote count was not announced, typical for the contest.
His victory extended the “American Idol” winning streak for men to five consecutive seasons. The last female to win, and the last non-white, was Jordin Sparks in 2007.

Phillips has more in common with the last four winners than gender. Like them, he is a young Caucasian guitar player, also known to “Idol” watchers as WGWGs — white guys with guitars.

Last year’s winner was Scotty McCreery, preceded by Lee DeWyze, Kris Allen and David Cook.
Sanchez, who is of Filipino and Latino heritage, took a measured view of the outcome, one that she said had solely to do with music.
“I don’t blame it on anything,” she said backstage. “Phillip has his fans, and I have mine. We’re totally two different people. Our genres are completely different.

“He’s more like the indie, alternative rock kinda guy, and I’m more urban R&B pop. … It’s just the number of our fans,” she said, adding that she expected to be the runner-up.

“In the moment, I told him, ‘You’re gonna win this.’ I was smiling at him the whole time. I was ready to just give him a big hug, and that’s what I did when they announced it.”

Sparks, 22, was among the guest stars who helped fill out the two-hour finale show, among them Rihanna, Neil Diamond, Reba McEntire, Chaka Khan and John Fogarty. “American Idol” judges Steven Tyler, with his band Aerosmith, and Jennifer Lopez also performed, but it was Sanchez and Jennifer Holliday who stood out with a powerhouse duet on “And I’m Telling You I’m Not Going.”

Besides music, there was a marriage proposal for the season 11 finale: Former contestants Ace Young and Diana DeGarmo got engaged on stage.

Young, 31, a season five finalist, told Seacrest that he and DeGarmo, 24, had just moved in together. Then Young got down on one knee and popped the question to her.

“I love you to death. You’re my best friend,” Young said in his proposal, which included a jarring credit for the jeweler who made the engagement ring he was offering (which, given Fox’s heavy soft drink and car sponsor product placement, wasn’t so off-key).

DeGarmo, a runner-up in season three, tearfully accepted, her head bobbing up and down.
But the point of the finale, saved for the final minutes and the highest possible ratings, was anointing the newest Idol and winner of a record contract.

During the three-song showdown Tuesday between Phillips and Sanchez, the show’s judges praised his performance across the board. Sanchez was faulted for a lackluster rendition of her third song, “Change Nothing.”

Although some critics dismissed Phillips as a Dave Matthews clone, viewers embraced him for his humility, his on-camera mugging and his memorable acoustic covers of songs like Usher’s “U Got It Bad.” In weekly tallies, Phillips never fell among the low vote-getters.

On Tuesday, he earned consistently high marks from the show’s judges, while Sanchez faltered on “Change Nothing,” the song that could serve as her first release. The teenager agreed with panelists Randy Jackson, Lopez and Tyler, saying she should have gone more “urban” with her song choice.

Phillips had better luck with the slow-tempo, acoustic tune “Home,” which the judges said recalled artists like Fleet Foxes, Paul Simon and Mumford and Sons. At one point during Phillips’ final performance, the pawn shop worker was accompanied by a marching band.

It was a hit with the panel. Jackson, beaming, exclaimed: “I love the song. I love you. I love the production. I love the marching band. Everything about that was perfect.”

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Jennifer Lopez: “DANCE AGAIN”

Legendary mamacita, Nicki Minaj side-eye shade thrower, and thoroughly free of all flaw Queen J. Lo just called in to On Air with Ryan Seacrest to premiere her brand new RedOne-produced dance floor banga, “Dance Again,” which will either be the lead single from her upcoming eighth studio album or from a greatest hits collection. She don’t know yet!

Jennifer Lopez: Dance Again

Despite her jam-packed schedule working behind the judge’s booth on American Idol, it appears as though Jenny’s got a whole lot of other things she’d like to be doing with her time as well.

Her grueling to-do list, in no particular order:

  • Dance.
  • Love.
  • Dance Again.

There are many reasons to criticise Jennifer Lopez’s new single. Most notably, it’s essentially a retread of last year’s ‘On The Floor’ that once again employs RedOne for a latino-pop melody and Pitbull for a second nonsensical spoken-word section that calls his sanity into question. Even the accompanying music video feels like a rehash, with the plot consisting of little more than Lopez’s unrivalled beauty.

So why do we still love it so much? Because it’s J Lo doing what J Lo does best. It may lack the overwhelming immediacy of its parent hit, but it’s not for want of trying its absolute hardest. “I love to make love to you baby,” she purrs over pulsing, club-ready beats, before launching into a whirlwind of a chorus where she instructs us to “dance, love and dance again”. The result is exactly what you’d expect, and it’s all the better for it.

The blazin’ hot track also features professional bulge Pitbull, who offers insightful commentary throughout regarding the one subject closest to his heart: His global reach. “Is he really worldwide? Uh, yes!” Mr. Worldwide decides aloud. Finally, the debate is over!

Also of note: The beat from Pitbull’s verse is lifted directly from Nightcrawlers‘ 1992 House smash “Push The Feeling On,” which Pitbull already sampled (in a different section of the song) for 2009′s “Hotel Room Service.” From this, we can deduce two things: 1.) Pitbull really fucking loves “Push The Feeling On” and 2.) We’re now entering the seventh circle of Reductive Hell.

Now, look: Is “Dance Again” sonically identical to “On The Floor,” “Papi,” and every other uptempo banga on Lopez’s quite amazing seventh studio album, LOVE? Oh, yes. Does Kat Deluna reserve the right to remain thoroughly pressed about the fact that Jenny is quite literally snatching song after song from her Belgium-only album, Inside Out? Indeed!

But you know what? It’s Jennifer Lopez! She can be as reductively derivatively generic as she likes, and I’m still going to go H.A.M. for whatever she’s serving. When the DJ bumps some Jenny up in the club, I lose my mind, my clothes, and whatever tiny shred of dignity that’s been hanging by a string from my bedazzled jock strap for the duration of the night.

Therefore, I do declare “Dance Again” a smash!

What are your own thoughts on Jennifer’s new single? Let us know below, or by hitting us up on Facebook and Twitter!

Watch her music video here:

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Mae Limboc is an Social Media Specialist at Visual Ally Incorporated. She has been in the company since it started and is currently being trained for Social Media. To practice her learning’s, she is now trying to venture out into blogging. Her blogs usually showcase their different activities and interests and also her experiences of a newbie in the Social Media world.

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